A twisting tale that combines elements of “Candyman,” “The Shining” and “Get Out,” Mariama Diallo’s “ Master ” isn’t the kind of traumatic horror film that interrogates racism solely as a fright in itself. Diallo is too smart for that.
Read More at Indiewire: ‘Master’ Review: Regina Hall Stands Atop a Towering and Inventive Shot in the Arm for Black Horror
